      
|
| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | |
A.E. See Russell, George William.
Aiken, Conrad. Wake 11: Conrad Aiken Number. New York: Wake Editions, 1952.
Albee, Edward. "Who's Afraid of Virginia WooIf?" Playbill 1.25 (17 Jan 1963).
Aleichem, Sholom (subject). "The Folk Art of Sholom Aleichem." By Morris U. Shappes. Mainstream 1.1 (1947): 117-22.
Allen, Charles. "The Fugitive." South Atlantic Quarterly 43.4 (1944): 382-89.
Anderson, Sherwood. "My Kingdom for a Horse." In The Village Fair Almanac. New York: Women's Division of the Medical Bureau and North American Committee to Aid Spanish Democracy, 1938.
______. "The New Note." The Little Review 1.1 (1914): 23.
______. "The Door of the Trap." The Dial no. 2 (1960): 110-124. Reprinted from The Dial, May 1920.
Anderson, Sherwood (subject). The Newberry Library Bulletin: Sherwood Anderson Memorial Number. ns no. 2 (1948).
______. Shenandoah: Sherwood Anderson Number. 8.3 (1962).
Andriello, Amelia A. Sung Under the Breath. New York: Vassilion, 1962. Sample copy.
Arnold, Matthew. Program for "Twelve Evenings with Matthew Arnold," sponsored by The Browning Club of Toronto, 1904-05.
Auden, W.H. Dustjackets (24).
______ (editor). Dustjackets (3).
______ (foreword writer). Dustjackets (20).
______. Mountains. Edward Bawden, ill. Ariel Poem series. London: Faber and Faber, nd. 2 copies.
______. "The Play of Daniel: A Twelfth-Century Musical Drama." New York: St. George's Church, 1961. Performance program.
______. "Poem." Furioso 1 (1941): 12.
______. "Poetry and Freedom." McGregor Room Seminars in Contemporary Poetry and Prose. Lecture of Feb. 27, 1948. 2 copies.
______. "Roast Poet." Gaberbocchus Loose-Leaf series. np: Gaberbocchus, nd. Pamphlet. 3 copies.
______. "Song." Voices 137 (1949): 22.
______. "Spring in Wartime." Poem in Allied Relief Ball Souvenir Program, ed. Bennett Cerf. Hotel Astor, New York: May 10, 1940.
Auden, W.H. (subject). Dustjackets, 2.
______ Membership solicitation pamphlet for the Mid-Century Book Society (nd, np).
______. The Mid-Century 1 (1959). Facsimile cover with membership solicitation.
______. "Some Theological Aspects of Contemporary Poetry," by A. T. Mollegen. Announcement pamphlet for the McGregor Room Seminar in Contemporary Poetry, Feb. 18, 1949. 2 copies.
Asimov, Isaac. "I Just Make Them Up, See! (verse)." Fantasy and Science Fiction 14.2 (1958): 129-30.
Baring, Maurice. "Don Juan's Failure." Golden Book Magazine (1931): 69-71.
______. "La Fontaine's Fables." London Mercury 57 (July 1924): 261-72.
Baring, Maurice (subject). Broadcast script from "Third Programme, London," Speaker: Sir Ronald Storrs, 28 Jan 1947.
______. Dustjackets (6).
Barrows, Herbert. Suggestions for Teaching 15 Stories. Boston: D. C. Heath and Company, 1950. Booklet.
Beckett, Samuel. "Three Poems." Poetry Ireland no. 5 (1949): 8.
Beerbohm, Max (subject). "Tributes to Sir Max Beerbohm." The Listener 48 (28 Aug 1952): 337-39.
______. Folder with 7-part series of "Conversation with Max" from The New Yorker, Feb-May 1960.
______. Dustjacket (1).
Behan, Brendan. "'I Posed as a One-Eyed English Airman." The People 18 Oct 1964: 2-3.
Belloc, Hilaire. "Advice to a Young Man in the Matter of Wine." Wine and Food 4 (1934): 3-10.
______. Dustjackets (66).
______ (introduction). Dustjackets (25).
______. "Fiscal Reform IV." British Review 2 (1913): 207-22.
______. "The Loser." Reveille 3 (1919): 377.
______. "The Military Argument against the Channel Tunnel." British Review 5 (1914): 321-34.
______. "A Note on the War Loan." British Review 8 (1914): 372-83.
______. "On the Decline of the Book." Bibliophile 1 (1908): 117-24.
______. "An Open Letter on the Decay of Faith." Photocopy of 1906 pamphlet.
______. "The Portrait of a Child." English Review 22 (1910): 217-23.
______. "Scandinavian Sculpture." Geographical Magazine 9 (1939): 145-54.
______. "Sonnet." New Quarterly 3 (1908): 430.
Belloc, Hilaire (subject). Dustjackets (15).
______. Review copy notice for The Jews. London: Constable and Company (nd).
Bemelmans, Ludwig. Madeline and Genevieve. New York: Dell, 1957.
______. X-mas cards.
Benet, Stephen Vincent. "The Biscuit Weevil." Privately printed X-mas card from 1947.
Bentley, E. C. Advance copy of first two chapters of Elephant's Work, to be published 1950. New York: Alfred A. Knopf, 1949.
Bentley, Eric R. "Shavian Drama." Contemporary 1.1 (1946): 26-35.
Berg, Alban. "Excerpts from Wozzeck." Los Angeles: Distributed by Westinghouse Electric Supply Company, n.d.
Betjeman, John. "Verses Turned in Aid of a Public Subscription Towards the Restoration of the Church of St. Katharine, Chiselhampton, Oxon." n.d.
Bierce, Ambrose. The Collected Works of Ambrose Bierce. New York: Neale, nd. Publication announcement booklet.
______. A Cynic Looks at Life. Little Blue Book series no. 1099. Girard, KS: Haldeman-Julius, 1912.
______. "The Damned Thing." Anti-Philistine 3 (1897): 139-49.
______. "The Damned Thing." In Five Great Ghost Stories. Girard, KS: Appeal Publishing, nd.
______. Dustjacket.
______. Extraordinary Opinions on Commonplace Subjects. Little Blue Book series no. 1098. Girard, KS: Haldeman-Julius, 1911. 2 copies.
______. "Fables." Anti-Philistine 1 (1897): 2-5.
______. Fantastic Debunking Tales. Little Blue Book series no. 1081. Girard, KS: Haldeman-Julius, 1911. 2 copies.
______. The Horseman in the Sky. Little Blue Book series no. 1055. Girard, KS: Haldeman-Julius, 1909.
______. Iconoclastic Memories of the Civil War. Little Blue Book series no. 1100. Girard, KS: Haldeman-Julius, 1909.
______. "An Inhabitant of Carcona." Avon Fantasy Reader 8 (1948): 123-26.
______. My Favorite Murder. Little Blue Book series no. 1086. Girard, KS: Haldeman-Julius, 1911.
______. An Occurrence at Owl Creek Bridge. Little Blue Book series no. 1054. Girard, KS: Haldeman-Julius, 1909.
______. Tales of Ghouls and Ghosts. Little Blue Book series no. 1075. Girard, KS: Haldeman-Julius, 1909.
______. Tales of Haunted Houses. Little Blue Book series no. 1080. Girard, KS: Haldeman-Julius, nd.
Ambrose Bierce (subject). "To Ambrose Bierce," by George Sterling. New York and Washington: Neale, 1910. Pamphlet. 2 copies.
Blackmur, R. P. T. S. Eliot. N.p.: The Hound and Horn, Inc., 1928. Reprint from The Hound and Horn 1.3-4 (1928).
______. "The Lion and the Honeycomb." McGregor Room Seminars in Contemporary Poetry and Prose, University of Virginia, 3 Mar 1950. 2 copies of typescript with programs.
Bowen, Elizabeth. "Preface to Ivy Gripped the Steps [1941]." New York: Alfred A. Knopf, 1946. Pamphlet.
Boyle, Kay. American Citizen. New York: Simon and Schuster, 1944.
______. "Big Fiddle [parts V and VII]." The Phœnix: An Augur 2.1 (1939): 28-51.
______. "Big Fiddle [parts VII-IX]." The Phœnix: An Augur 2.2 (1939): 27-59.
______. "The Revolving Bookstand: The Far East and Fiction [reviews]." The American Scholar 26 (1957): 222-28.
______. "Second Generation." Seven no. 6 (1939): 2-3.
______. A Statement. N.p.: The Modern Editions Press, 1932. Signed and numbered as #28 of 175.
______. "The Taxi Ride." Seven no. 2 (1938): 16-21.
______. "World Tour" Seven no. 4 (1939): 2-3.
Boyle, Kay (subject). "Kay Boyle." By Richard C. Carpenter. College English 15 (1953): 81-87.
Breit, Harvey. There Falls Tom Fool. Woodstock, NY: Capricorn Press, [1941?].
Breton, Andre. "Interview with Andre Breton." View 1.7-8 (1941): 1-2.
Broadbent, Simon. Simon Broadbent. The Fantasy Poets, no. 5. Oxon: Oscar Mellor and Roger Smith, 1952.
Brooks, Cleanth. "Alfred Edward Houseman." In Anniversary Lectures. Washington, DC: Library of Congress, 1959. 39-56.
______. "Poetry in the Age of Anxiety." McGregor Room Seminars in Contemporary Poetry and Prose, University of Virginia, 31 Oct 1947. Typescript.
Brooks, Cleanth (subject). "Cleanth Brooks: A Checklist of His Critical Writings." By Robert Wooster Stallman. University of Kansas City Review 14 (1948): 317-24.
Bronson, Orestes (subject). "Bronson an Ontologist?" By Marcellus M. Drelling. Nuntuis Arlae(?) [St. Charles Seminary publication] (n.d.): 19-28.
Buchan, John. Augustus. Advertising broadside.
______. Dustjackets (50).
______ (introduction). Dustjacket.
Buchan, John (subject). Dustjacket.
______. The King's Grace. Advertising broadside.
______. "Lives of the Great." Book advertisement pamphlet.
______. The People's King. Advertising broadside.
Bühler, Curt F. "The Assembly of Gods and Christine de Pisan." English Language Notes 4 (1967): 251-54.
Bull, A. J. "Drift: Poems and Sonnets." Poems in Pamphlet no. 3 (1952).
Butler, Samuel. "The Righteous Man." Gaberbocchus Loose-Leaf Series. n.p.: Gaberbocchus, n.d.
Bynner, Witter. "More Lovely Than Antiquity," "Shaft," "To the Mountain," and "Generation." The University of Kansas City Review 6 (1940): 235, 267-68, 274.
Cabell, Branch. "Goudy" acrotic printed by Harrison Emmons, 1938.
Cain, James. "An American Author's Authority." Reprint from The Screen Writer, July 1946. 3 copies.
Calisher, Hortense. Excerpt from Herself: An Autobiographical Work. In Arbor House Bestseller Sample. New York: Arbor House, 1972.
Camus, Albert, Louis Aragon, Paul Eluard, and François Mauriac. Four French Resistance Writers. New York: Disc, [1944?]. Booklet.
Camus, Albert (subject). Camus' Stranger Retried. By René Girard. New York: MLA, 1964. Reprint from PMLA Dec 1964.
Carey, Graham. In "Symposium on Primitive Art." The Catholic Art Quarterly 14 (1951): 159-162.
Chesbron, Gilbert (subject). Livres de France: Gilbert Chesbron Issue 10.7 (1959).
Chambers, Wittaker. Bookseller's excerpt from Witness, to be published Spring 1952. New York: Random House, 1952.
Chopin, Kate. "Madame Célestin's Divorce." Everyman ns 2:7 (1956): 18-19.
Chopin, Kate (subject). "A Forgotten Novel: Kate Chopin's The Awakening." By Kenneth Eble. Western Humanities Review 10 (1956): 261-69.
______. Biographical scrap in "Missoriana." Missouri Historical Review 38 (1944): 207-08.
______. "Something About Kate Chopin." By Joseph J. Reilly. From Books and Men. New York: n.p., 1942.
Claudel, Paul. L'Enregistrement intégral de Jeanne d'Arc au bûcher. Program for Arthur Honegger's Jeanne au Bûcher, 1946.
Claudel, Paul (subject). Renascence: Claudel Memorial 8 (1956).
______. "The Understanding of Paul Claudel." The Month 13 (1955): 366-68.
Cocteau, Jean and Leslie Charteris. "The Saint in Modern Art." Saint Mystery Magazine 17.1 (1962): 48-51.
Colum, Padraic. "The Statues and the Clock." Poetry Ireland no. 1 (1948): 10.
Comfort, Alex. Untitled Poem. Retort 4.1 (1947): 17.
______. "We Live in a Blind Time" and "Song for John Hewetson." Retort 4.3 (1949): 16-17.
Comfort, Alex (subject). "The Poetry of Alex Comfort." By George Woodcock. Poetry Quarterly 9 (1947): 106-115.
Connely, Cyril. "The Impact of American Power on Europe." The Listener 47 (27 Mar 1952): 500-01.
______. "Reputations." Go: The Travel and Leisure Magazine ns no. 1 (Apr-May 1951): 69-72.
Coppard, A. E. "The Horse." In The Chapbook no. 23 (May 1921): 9.
Coppard, A. E. (subject). X-mas card.
Baron Corvo (Frederick Rolfe) (subject). Dustjacket.
______. "Frederic William Rolfe, Baron Corvo." np, 1926. Pamphlet. 2 copies.
______. "Hadrian VII." Playbill 6 (1969): 29-40. 2 copies. Performance program.
______. "A True Recital of the Procedure of the First Banquet Held by the Corvine Society." np, 1929. Banquet program. With typewritten compliments of A.J.A. Symons.
______. "A True Recital of the Procedure of the Second Banquet Held by the Corvine Society." np, 1929. Banquet program.
Cozzens, James Gould. Dummy for unpublished critical writings of John Keats, with an introduction by Cozzens. Boston: B.J. Brimmer Co., 1925.
Cozzens, James Gould (subject). Critiques: Studies in Fiction: James Gould Cozzens Issue 1.3 (1958).
Creekmore, Herbert. Purgative. "100 Copies Made Somewhere in Texas During a Year of War."
cummings, e.e. "Cummings Number." Harvard Wake 5 (1946). Special issue.
______. Dustjackets (11).
______ (introduction). Dustjacket.
______. "Four Poems." Ark 1 (Spring 1947): 40-41.
______. "A Little Girl Named I." Wake 6 (1948): 3-5.
______. "Poem." Folio 20 (1954): 26.
______. "Portrait." Berkeley: Hart Press, 1940. Pamphlet used as note card.
______. "Seven Poems." Quarterly Review of Literature 2 (1946): 273-77.
______. "Song." Diameter 1 (1951): 41.
______. "Three Poems." 1924: A Magazine of the Arts 2 (1924): 36-8.
______. "Three Poems." Townsman 1 (1938): 2-3.
______. "Two Poems." Platform 1 (nd): 1.
cummings, e.e. (subject). Dustjackets (2).
______. "E.E. Cummings." np, 1944. Art exhibit program. 2 copies.
______. "E.E. Cummings." np, 1949. Art exhibit program.
______. "E.E. Cummings: A Miscellany," by George James Firmage. Advertising broadside.
______. "E.E. Cummings and the Paths of Righteousness," by Alfred Kazin. Announcement booklet for the Peters Rushton Seminar, University of Virginia, April 6, 1951.
______. "E.E. Cummings: A Bibliography," by George J. Firmage. Middletown, CT: Wesleyan, nd. Advertising pamphlet with order blank.
______. "The Interplayers Present 'him.'" np, 1948. Performance program.
Daiches, David. "The Possibilities of Heroism." American Scholar 25.1 (1955-56): 94 106.
Daniels, Harold R. "Inquest on a Dead Tiger." Ellery Queen's Mystery Magazine 40.3 (Sept 1962): 6-25.
Davies, W. H. Moss and Feather. Ariel Poems [no. ?]. [London: Faber & Gwyer Ltd.], n.d.
Day, Dorothy. "Quaint Old Customs." The Catholic C.O. 3.1 (1947): 2-3, 16.
______. "Women and War." The Catholic C.O. 2.5 (1946): 4-6.
Day Lewis, C. "Some Influences on Modern Poetry." The Listener 49 (28 Jan 1953): 185-87.
______. "Techniques in Modern Poetry." The Listener 49 (12 Feb 1953): 269-71.
______. "Themes and Subjects in Modern Poetry." The Listener 49 (5 Feb 1953): 227-29.
______. Dustjackets (30).
Delvaux, Paul (subject). "Paul Delvaux." By Walter Frederick Bartsch. Critique 1.3 (1947): 49-50, 59.
Derleth, August (subject). "August Derleth: Storyteller of Sac Prairie." By Norbert Blei. Chicago Tribune Sunday Magazine, 15 Aug 1971: 46-47, 54.
______. Wisconsin Academy Review: August Derleth Issue 19.2 (1973)
Descartes, René. Dustjackets (4).
Dickens, Charles. "Two Mobs." Gaberbocchus Loose-Leaf Series. n.p.: Gaberbocchus, n.d.
Dickinson, Emily. X-mas card reprint of "On the New Year." [attribution doubtful?]
Dickinson, Emily (subject). Emily Dickinson. By Desmond Powell. Colorado College Publication, General Series no. 200. Colorado Springs, CO, 1934. 2 copies.
______. "Emily Dickinson and Her Family Tree." Daughters of the American Revolution Magazine 45 (1931): 471-78.
______. "Emily Dickinson and Her Nature Poems." Studies in English Literature [Japan] 9.1 (1931): 64-76.
______. "Homage to Emily Dickinson." Bulletin of Bibliography 20 (1951): 112-15.
______. "The Imagery of Emily Dickinson." By Ruth Flanders McNaughton. University of Nebraska Studies ns 4 (1949).
______. John Bannister Tabb on Emily Dickinson. New York: Seven Gables Bookshop, 1950. X-mas booklet.
______. Three Dickinson Poems Set for the Voice and Piano. ["Mine," "Summer Shower," "The Sea of Sunset']. By Arthur Farwell. New York: C. Schirmer, Inc., 1928.
Dos Passos, John. Advertising broadside for Godfrey Blundin's A Room on the Route. Lippincott, nd.
______. Advertising broadside for performance of "U.S.A." np, nd.
______. Announcement for performance of "U.S.A.," December 18,1956. 2 copies.
______. Dustjackets (29).
______ (introduction). Dustjackets (4).
______. "Number One." Adapted by John C. Wilson. Broadcast script for NBC University Theater, August 13, 1948.
______. "Peace Demands Social Reorganization." War — What For? (New York: Keep America Out of War Committee, 1938): 31.
______. "The Safety of Your Country." Startling Stories 10 (1943): 105.
______. Untitled article. Il Martella 28 (1943): 2.
______ . Performance program for "U.S.A." np, nd: 1959.
Dos Passos, John (subject). "A Bibliography of John Dos Passos by Jack Potter." Chicago: Normandie House, nd. Advertising pamphlet.
______. Form letter from Hardwick Moseley to a bookseller with attached reviews of The Grand Design, dated Jan. 12, 1949.
______. "Our Story-book Democracy," by Maxwell Geismar. New York: Houghton Mifflin, nd. Advertising booklet.
Dreiser, Theodore. "'The Logic of My Life...'." Mainstream 1.2 (1947): 225-27.
Dreiser, Theodore (subject). "Theodore Dreiser." By James T. Farrell. Reprint from Chicago Review (1946).
Duncan, Robert. Program for Adam's Way: A Chamber Play. San Francisco Museum of Art, 17 June 1976.
Lord Dunsany. "Carriers: An Essay on War." Rider's Review 76 (1949): 5-9.
______. "Horace: Ode XXIII." Irish Writing 1 (1946): 78.
______. "Poets and Prophets of Past Time." Library Review 125 (1958): 309-311.
______. "A Poet's Novel" (excerpt). The Periodical 27 (1947): 123-5.
______. Poltarnees: Beholder of Ocean. Music by Dorothy B. Smith. Smith College Clef Club: nd.
______. "Rifts in Time." Tomorrow 10 (June 1951): 17.
______. "The Sign." Arkham Sampler 1 (Autumn 1948): 3-7.
______. "The Slugly Beast." Avon Fantasy Reader 7 (1948): 54-62.
______. "Three Men in a Garden." Ellery Queen's Mystery Magazine (August 1959): 86-89.
Durrell, Lawrence. Prospectus for The Curious History of Pope Joan. London: Rodney Phillips & Green, 1948.
______. "Eight Aspects of Melissa." The Circle (July 1946): 1-8.
______. Program from "The Fifth Antiquarian Book Fair." London: 19-23 Jun 1962.
______. "From a Writer's Journal." The Windmill 2.6 (1947): 50-58.
______. "Letter to Seferis the Greek." Diogenes 1.3 (1941): 96-100.
______. Private Drafts. Nicosia, Cyprus: Proodos Press, 1955. Signed. With letter to Shaw.
______. "Theatre: Sense and Sensibility." International Post 1.1 (1939): 17-19.
______. Dustjackets (22).
Eigner, Larry. Things the Spread Around Eyes. N.p.: n.p., n.d.
Eliot, T(homas) S(tearns). "The Cocktail Party," September 2-5, 1953. Performance program.
______ "East Coker [poem]." Partisan Review 3 (1940): 181-87.
______. "The Frontiers of Criticism: A Lecture by T. S. Eliot Delivered at the University of Minnesota William Arena on April 30, 1956." Minneapolis: University of Minnesota Press, 1956.
______. "Journey of the Magi." Oasis 1 (nd): 3. Booklet.
______. "A Message from T.S. Eliot, O.M." Nine 1 (1949): 6-7.
______. "Perch' io non spero." With facing-page translation by Jean de Menasce. Commerce 15 (1928): 5-11.
______. "Poème." Translated by Saint-J. Perce. Commerce 3 (1924): 10.
______. "Reflections on the Unity of European Culture." Adam 14 (May 1946): 1 3.
______. "Reflections on the Unity of European Culture II." Adam 14 (June-July 1946): 1-3.
______. "Reflections on the Unity of European Culture III." Adam 14 (August 1946): 20-22.
______. "Ulysses, Order, and Myth." Dial 1 (new series, 1959): 153-8.
______. Various columns published in The Listener (8).
______. "The Waste Land." Dial 73 (1922): 473-85.
Eliot, T(homas) S(tearns) (subject). "Concert Reading of 'Murder in the Cathedral' Next in Library of Congress Literary Series." Washington: Library of Congress, March 8, 1957. Press release.
______. "The Esotericism of T.S. Eliot." 1924: A Magazine of the Arts no. 1 (1924): 3-10.
______. "Four Quartets." Advertising broadside for recording.
______. "Murder in the Cathedral." np, nd. Performance announcement, Duchess Theater.
______. "Mr. Eliot Without the Nightingales." By Wallace Cable Brown. The University of Kansas City Review 14 (1947): 1-38.
______. "Murder in the Cathedral." Tulsa: Trinity Episcopal Church, 1951. Performance program.
______. "News from New Directions." np, nd. Press release.
______. "The Objective Correlative of T.S. Eliot." The American Bookman 1 (1944): 7-18.
______. "The Pisan Cantos Wins for Ezra Pound First Award of Bollingen Prize in Poetry." Washington: Library of Congress, 1949. Press release.
______. Religious Drama: Mediaeval and Modern. New York: House of Books, 1954. Advertising broadside.
______. Solicitation pamphlet for the Sewanee Review.
Emerson, Ralph Waldo (subject). Index to Early American Periodical Literature, 1728-1870. No. 4: Ralph Waldo Emerson, 1803-1882. New York: Pamphlet Distributing Company, 1942.
Engle, John D., Jr. "Quest for Truth." Review of Contemporary Poetry 1.1 (1949): 9.
Engle, Paul. "Florian." Now and Then no. 50 (1935): 28-29.
Ernst, Max (subject). View: Max Ernst Number ns no. 1 (1942).
Everson, William (Brother Antoninus, O.P.). "The Artist and Religious Life." American Benedictine Review: The Catholic and Creativity (1960): 223-38.
Fadiman, Clifton. In Praise of E.B. White. New York: Harper and Brothers Publishers, 1945. Reprinted from NYT Review of Books. 3 copies.
Farrell, James T. The Coming of Age of a Great Book. New York: Vanguard Press, 1953. Advertising booklet.
______. "The Dominion of Canada vs. 'Bernard Clare.'" New York: Vanguard, 1946. Booklet. 8 copies.
______. Dustjackets (37).
______. James T. Farrell: The Face of Time. London: Spearman and Calder, 1954. Advertising booklet.
______. "Some Correspondence with Theodore Dreiser." General Magazine and Historical Chronicle 53 (1951): 237-51.
______. Truth and Myth about America. New York: Rand School Press, 1949. Booklet.
Farrell, James T. (subject). Memorandum from Mike McClintock to booksellers. New York: Vanguard Press, nd.
______. Press release. New York: Vanguard Press, nd.
Faulkner, William. Contempo 1.17 (1932). Complete issue.
______."Mississippi." Holiday 15.4 (April 1954): 34-47.
Faulkner, William (subject). Program for "A William Faulkner Exhibit." John M. Olin Library, Washington University, St. Louis MO, Apr 27-Jun 5 1964.
Figgis, Daniel. "The Lyric." Poetry Review no. 2 (1912): 61-65.
Figgis, Daniel (subject). "Bibliographies of 1916 and the Irish Revolution." By P. S. O' Hegarty. The Dublin Magazine ns 12.3 (1937): 47-54.
Fitzgerald, F. Scott. "The Boy Who Killed His Mother." Neurotica 9 (Winter 1952): 38-9.
______. "The Dance." Ellery Queen's Mystery Magazine (March 1953): 45-57. 2 copies.
______. "The Debutante." Nassau Lit 100 (1942): 49-58.
______. Dustjackets (24).
______. "The Far Side of Paradise," by Arthur Mizener. np, nd. Advertising solicitation pamphlet.
______. The Great Gatsby. Adapted by Owen Davis. New York: Ambassador Theater, 1926. Performance program.
______. "The Mystery of the Raymond Mortgage." Ellery Queen's Mystery Magazine (March 1960): 66-72. 2 copies.
______ (adapted). The Young and Beautiful. Playbill, October 17, 1955. Performance program.
Fitzgerald, F. Scott (subject). Dustjackets (6).
______. "The Fictional Technique of Scott Fitzgerald," by James E. Miller Jr. The Hague: Nijhoff, nd. Advertising pamphlet.
______. "F. Scott Fitzgerald: An Exhibition Commemorating Tender is the Night, 1934-59." Alderman Library, May 1959.
Fitzgerald, Robert. Dustjackets (11).
Ford, Ford Maddox. Advance excerpt from Parade's End, to be published Sept. 1950. New York: Alfred A. Knopf, 1950.
Forster, E. M (subject). Modern Fiction Studies: E. M. Forster Special Number 7 (1961).
Founders Society. The Legend of John Brown [screenprint]. Detroit: Detroit Institute of Arts, 1979.
Frost, Robert. Prospectus for New Hampshire, to be published 1955. Hanover, NH: The New Dresden Press, 1955.
______. One Step Backward Taken [poem]. New York: Spiral Press, 1947.
______. A Young Birch [poem]. New York: Spiral Press, 1946.
Frost, Robert (subject). New Hampshire Troubadour: Robert Frost Issue 16.8 (1946).
______. "Three Entities and Robert Frost." By Harold H. Watts. Bucknell Review 5 (1955): 19-38.
Garland, Hamlin. Advertisement for Trail Makers of the Middle Border. New York: Macmillan, n.d.
Gide, Andre. "The Lesson of Poussin." The Arts no. 2 (1947): 58-70.
Gilbert, Jack (subject). Genesis West: Celebrating Jack Gilbert. 1.1 (1962).
Gill, Macdonald. "Modestine Soliloquies." Chatter: Christmas 1914. Ramsgate: The Devonian Press, 1914.
von Goëthe, Johann Wolfgang. "On Shakespeare's Hamlet." The Footnote 1.6 (1949): 5-8.
Gogarty, Oliver St. John. "Do You Know What You are Talking With?" Tricolor 11.10 (Jan 1945): 88-92.
______. "'Hesperus, Thou Bringer of Good Things'." Contemporary Poetry 3.4 (1944): 10.
______. "Ireland and the War: A Radio Discussion over Station WGN and the Mutual Network." The Reviewing Stand 2.23 (1944).
______. "To His Friends When His Prostate Shall Have Become Enlarged." Contemporary Poetry 3.1 (1943): 10.
Gordon, Caroline (subject). "The Way Back and the Way Up: The Novels of Caroline Gordon." Bucknell Review 6.3 (1956): 1-15.
Graves, Robert. "The Isham Books." Bibliographica 12 (n.d.): 418-29.
Greene, Graham. "Across the Bridge." Ellery Queen's Mystery Magazine (March 1962): 127-35. 2 copies.
______. Advertising brochure for Time Reading Program. np, nd.
______. "L'aspect religieux de Henry James." Dieu Vivant 20 (1951): 101-16.
______. "Bird Alone." Now and Then (Summer 1936): 14-15.
______. "The Complaisant Lover." New York: Playbill for Barrymore Theater, 1961. Performance program. 2 copies.
______. Dustjackets (76).
______ (introduction). Dustjackets (5).
______. "An English View of Francois Mauriac." Windmill (London: Heinemann, 1946): 80-86.
______. "A Few Pipes." London Magazine (December 1954): 17-24.
______. "Graham Greene: The Emergence of a Major Novelist." New York: Viking, nd. Advertising booklet. 3 copies.
______. "Graham Greene: The Power and the Glory." New York: Time Reading Program, nd. Poster.
______. "The Hint of an Explanation." Month 1 (1949): 77-87.
______. "The Living Room." Boston: Plymouth Theater, 1954. Performance program.
______. "The Living Room." New York: Miller's Theater, 1954. Performance program. 2 copies.
______. "The Living Room." Surrey: Wimbledon Theater, nd. Performance program.
______. "Message aux Catholiques Français." Dieu Vivant 14 (1949): 31-35.
______. "Mortmain." Short Story International (November 1963): 125-36. 2 copies.
______. "Nino Caffè." Roma: Istituto Grafico Tiberino, nd. Exhibition pamphlet.
______. "An Old King on Capri." Books of the Month (January 1953): 8-9.
______. "The Potting Shed." Brighton: Theater Royale, 1958. Performance program.
______. "The Potting Shed." London: Globe Theatre, nd. Performance program.
______. "The Potting Shed." New York: Bijou Theatre, nd. Performance program.
______. "The Power and the Glory." New York: Playbill for Phoenix Theater, 1958. Performance program.
______. "The Third Man." Serial story in the Daily Express, nos. 15439-15454 (December 8-28, 1949). 2 copies.
______. "The Third Man." Ellery Queen's Mystery Magazine (April 1950): 103-44.
______. "The Traveller's Library." Now and Then (Spring 1934): 25-26.
______. "A Visit to Morin." London Magazine (January 1957): 13-25.
______. "When Greek Meets Greek." The Saint Detective Magazine (June 1958): 27-38.
Greene, Graham (subject). Bookmark.
______. "Graham Greene," by Betty Beeby. Grand Rapids: Eerdmans, 1967. Poster.
______. Dustjackets (11).
______. "Graham Greene," by Raymond M. Boyle. Grail (July 1952): 1-7. 2 copies.
______. "The Heart of the Matter: A Report by Clifton Fadiman." np, nd. Advertising pamphlet. 3 copies.
______. "The Shipwrecked." Los Angeles: Immaculate Heart College, nd. Lecture pamphlet.
______. "The Viking Log." New York: Viking, June 11, 1948. Press release.
Guiney, Louise Imogen. "Tryste Noël." Music by Corbett Sumison. Oxford: OUP, 1931. Sheet music.
Hagreen, Philip. "Industry." The Cross and the Plow 5.3 (1939): 5. 2 copies.
______. "The Shark." The Cross and the Plow 5.4 (1939): 3.
Hardy, Thomas. "The Oxen" reprinted on X-mas card. New York: Thomas Y. Crowell Company, 1942.
______. "Weathers." Music by David Stone. Oxford: OUP, 1951. Sheet music.
Hearn, Lafcadio. "Anatole France: His Art." In Anatole France (New York: Dodd, Mead, and Co., 1921): 8-10.
______. Dustcover for Earless Hoichi (Tokyo: Kodansha, nd).
______. Dustjackets (11).
______. "Fantastics and Other Fancies." Boston and New York: Houghton Mifflin, nd. Advertising pamphlet.
______. "Pere Antoine's Date Palm." Ysleta, Texas: Hill, 1940. Pamphlet.
______. "Shinju." Papyrus (March 1908): 9-14.
______. "The Tale of a Fan." Chicago: Targ's, 1928. Pamphlet.
Hearn, Lafcadio (subject). "Catalog of an Exhibit of Selections on Lafcadio Hearn," compiled by Anton C. Masin. Notre Dame: np, 1980. 9 copies.
______. Catalogue of the Lafcadio Hearn Library in the Toyama High School. Toyama: Toyama High School, 1927.
______. "A Catalog of First Editions of Lafcadio Hearn with an Autobiographical Sketch." Beverly Hills: Penguin, 1933. Booklet.
______. Hokuseido Publications of the Works of Lafcadio Hearn and Glenn W. Shaw. Tokyo: Hokuseido, nd. Booklet.
______. "The Honorable Chop Sticks," by Fay Foster. New York: Fischer, 1917. Sheet music.
______. Lafcadio Hearn. Los Angeles: Stanoff, 1978. Bookseller's catalog.
______. Lafcadio Hearn. Los Angeles: Stanoff, 1979. Bookseller's catalog.
______. "Lafcadio Hearn: A Bibliography," by Martha Howard Sisson. Boston: Faxon, 1933.
______. "Lafcadio Hearn: The Man and His Work." np: 1972. Sales list.
______. "Leaves from the Diary of an Impressionist." Boston and New York: Houghton Mifflin, nd. Advertising pamphlet.
______. "Oriental Culture Charts." np, nd. Advertising pamphlet.
______. Photographs and illustrations, np, nd.
______. "The Shadow of the Bamboo Fence," by Fay Foster. New York: Fischer, 1917. Sheet music.
______. "The Strange Story of Lafcadio Hearn," by Arthur S. Tolliver. Girard, KS: Haldeman-Julius, 1944. 3 copies.
______. Untitled lecture by Poultney Bigelow. np, nd. Typescript with handwritten corrections.
______. Untitled pamphlet. np, nd.
______. The Works of Lafcadio Hearn. Tokyo: Hokuseido, 1935. Booklet.
Hemingway, Ernest (subject.). "Hemingway's Old Man and the Iceberg." By Robert O. Stephens. Modern Fiction Studies 7 (1961-62): 295-304.
Heywood, Terence. "Communique from Sweden." The View 1.3 (Nov 1940): 1.
"Hibernia." Folder of miscellaneous materials.
Holloway, Edgar (subject). Program for exhibition at The Robin Garton Gallery. London, n.d.
Hopkins, Gerard Manley (subject). "A Critical Catalogue of the MSS of Gerard Manley Hopkins." By D. Anthony Bischoff. Thought: Fordham University Quarterly 26 (1951-52): 551-80.
______. "Gerard Manley Hopkins—Poet and Priest." By Ida Finlay. The Cornhill Magazine 159 (1939): 467-78.
______. The Hopkins Research Bulletin nos. 2 (1971), 3 (1972), 5 (1974), 6 (1975), and 7 (1976).
______. The Hopkins Review 6.2 (1953).
______. Hopkins Society Annual Hopkins Sermon nos. 2 (1970), 3 (1971), 5 (1973), 6 (1974), and 7 (1975).
______. Hopkins Society Annual Lecture nos. 2 (1971), 3 (1972), 4 (1973), 5 (1974), 6 (1975), and 7 (1976).
______. New Verse: Gerard Manley Hopkins Issue no. 14 (1935).
______. "The Poetic Theory of Gerard Manley Hopkins." By Selma Jeanne Cohen and John K. Mathison. Philological Quarterly 26 (1947): 1-20, 21-35.
______. Microcard articles (2).
Housman, A. E. "Loveliest of the Trees" from The Shropshire Lad. Scripps College: Ariel Reynolds, 1943.
______. Photostats of poems (4).
Hutchins, Robert. Miscellaneous articles by and about (83).
______. Folder of material about St. John's College and the Great Books Program (based on the ideals of Hutchins and Mortimer Adler).
Huxley, Aldous. "Consider the Lilies." Charm (July 1953): 62-77.
______. "The Double Crisis." Food and People (April 2, 1949): 3-12.
______ Dustjackets (62).
______ (introduction). Dustjackets (14).
Huxley, Aldous (subject). Banquet program of Omar Khayyam Club, March 23, 1922.
______. "Cat's Yawn." Advertising pamphlet.
______. Dustjackets (2).
______. "The Limits of Art." Advertising pamphlet.
______. "Posters by E. McKnight Kauffer." New York: Museum of Modern Art, 1937. Exhibition program.
______. "Time Must Have a Stop." Advertising pamphlet.
______. "The Writings of Aldous Huxley." Los Angeles and Pasadena: Dahlstrom, 1943. Exhibition program, Zeitlin collection, UCLA.
Huxley, T. H. "Infidel's Evidence." Gaberbocchus Loose-Leaf Series. n.p.: Gaberbocchus, n.d.
Isherwood, Christopher. "A Departure." Zero no. 1 (1949): 30-41.
______. Dustjackets (19).
______ (contributor). Dustjackets (4).
Isherwood, Christopher (subject). Dustjackets (1).
______. "I Am a Camera." New York: Playbill for the Empire Theater, 1951.
James, Henry (subject). Henry James. By Leon Edel. University of Minnesota Pamphlets on American Writers, no. 4. Minneapolis: University of Minnesota Press, 1960.
The Janus Press, 1955-75. By Ruth Fine Lehrer. Program for "An Exhibition at The Robert Hull Fleming Museum at the University of Vermont in Burlington, 1975." Lunenburg, VT: The Stinehour Press, 1975.
Jeffers, Robinson. "Advice to Pilgrims." Pacific 1.1 (1945): 9.
______. "The Inquisitors." The University of Kansas City Review 13 (1947): 186-87.
______. "Natural Music." Book Club of California Poetry Folios no. 12. San Mateo, CA: The Quercus Press, 1947.
______. Uncorrected proof for Media. New York: Random House, 1946.
______. "Two Poems." Psalms 4 (1926): 72-73.
Jeffers, Robinson (subject). The Carmelite: Robinson Jeffers Number 1.44 (1928).
______. "Death Comes for Robinson Jeffers." The University of Kansas City Review 7 (1940): 97-104.
______. Focus: Robinson Jeffers Number 1.1 (1955). 3 copies.
______. "The Loving Shepherdess of Jeffers and Scott." By Fraser Drew. Trace no. 31 (1959): 13-16.
Jewett, Sarah Orne. An Empty Purse. Boston: The Merrymount Press, 1905. Privately printed. With enclosed initialled letter from S. O. J.
______. Verses by Sarah Orne Jewett. Cleveland: American Weave Press, 1949.
______. Dustjackets (3).
Jewett, Sarah Orne (subject). Various articles about Jewett in Colby Library Quarterly. 11 issues.
______. "The Literary Relationship of Sarah Orne Jewett and Willa Sibert Cather." By Eleanor M. Smith. New England Quarterly 29 (1956): 472-92.
Jones, James (subject). Book-of-the-Month Club advertisement for From Here to Eternity.
Jones, Leroi. Black Art. Newark, NJ: Jihad Productions, 1966. Typescript/photocopy.
______. New Year's Card reprinting of "Short Speech to My Friends." London: Cape Goliard Press, 1969.
Joyce, James. "Claybook For James Joyce," by Louis Gillet. np, nd. Advertising postcard.
______. Dustjackets (4).
______. Enrollment form for James Joyce Society.
______. "The Holy Office." Printed on single sheet of folio paper.
______. "A New Unnamed Work." Two Worlds 2.5 (1926): 35. No. 197 of 450.
Joyce, James (subject). Dustjackets (17).
______. "The Hawk and the Rock." By tj. What's Doing 2.1 (1947): 14-15, 36. 2 copies.
______ . "James Augustine Joyce." Reprinted from Book News of the Times Herald, Dallas. El Paso: Carl Hertzog, 1949.
______. "James Joyce." London: Institute of Contemporary Arts, 1950. Promotional poster.
______. "James Joyce (1882-1941)." By Herbert Steiner. Reprinted from Poetry (March 1941).
______. "James Joyce in Trieste." By Thomas Staley. Reprinted from The Georgia Review 16.4 (1962).
______. "Joyce Among the Jesuits," by Kevin Sullivan. New York: Columbia U P, 1958. Advertising pamphlet.
______. "Our Friend James Joyce," by Mary and Padraic Colum. np, nd. Advertising postcard.
______. Program for reception for editors of Joyce Miscellany and the Lawrence Miscellany. Carbondale: Southern Illinois University, 1959.
______. "Re: Joyce—No In at the Womb." By Alan Dundes. Modern Fiction Studies 8 (1962): 137-47.
______. Solicitation letter from the Joyce Society, April 28, 1958.
______. "The Sympathetic Alien," by J. Mitchell Morse. Advertising broadside.
______. "The Work of James Joyce." McGregor Room Seminars in Contemporary Poetry and Prose, University of Virginia, 16 Jan 1947. Copy of typescript with program.
Jungels, William. Wind-Torn Roots Gone Limbs Cracked Trunks. N.p.: n.p., n.d. Loose typescript.
Kafka, Franz. "The Sin of Impatience" and "Poseidon." Schocken Reader 2 (1947 48): 3-5.
Kafka, Franz (subject). "Kafka East, Kafka West." By Harvey Cox. The Commonweal 80 (1964): 596-600.
______. Modern Fiction Studies: Franz Kafka Special Number 8.1 (1962).
Kaufman, Bob. Abomunist Manifesto. San Francisco: City Lights Books, 1959. Broadside.
Kerouac, Jack. "The Thrashing Doves." White Dove Review 1.1 (1959): 13.
Kierkegard, Søren (subject). A Kierkegard Booklist. Princeton: Princeton University Press, n.d. 2 copies.
Kipling, Rudyard. Recessional: A Victorian Ode. Boston: privately printed, 1899.
______. A Letter from Rudyard Kipling to Joseph Conrad. N.p.: Curwen Press, 1926.
Kipling, Rudyard (subject). The Search for Rudyard Kipling. By Morton N. Cohen. Syracuse, NY: Syracuse University Press, 1966. Reprinted from The Courier no. 25.
Knox, Ronald. Dustjackets (34).
______ (introduction). Dustjackets (2).
______. "Hilario Belloc." Poem on cardstock. np: July 27, 1930.
______. "The Song of Songs, That of Solomon." Broadside posters. 2 copies.
Knox, Ronald. (subject). Dustjackets (3).
Lea, Tom. Personal File Selected from the Letters of Tom Lea, Author and Artist ofThe Brave Bulls, to his Publisher. Boston: Little Brown & Co., n.d.
Lawrence, D.H. "The Crown II." Signature (October 18, 1915): 1-10.
______. "The Crown III." Signature (November 1, 1915): 1-10.
______ (author and subject). "D.H. Lawrence Number." Laughing Horse (April 1926).
______. Dustjackets (9).
______. "Nettles." Criterion Miscellany 11. London: Faber and Faber, 1930. Booklet.
______. "Quetzalcoatl: The Plumed Serpent of Mexican Mythology." Brighton: Dolphin, nd. Advertising booklet with photocopy sample.
______ . "The Widowing of Mrs Holroyd." New Editions 1 (Fall 1956): 5-28.
Lawrence, D.H. (subject). "D.H. Lawrence: Prophet of the Midlands," by Vivian de Sola Pinto. New Basford: Sands, 1951. Lecture transcript. Booklet. 2 copies.
______. Dustjackets (17).
Lea, Tom. "Personal File Selected from the Letters of Tom Lea, Author and Artist of The Brave Bulls." Boston: Little Brown, 1949. Advertising folder.
Lewis, C. Day. Christmas Eve. Ariel Poems series. London: Faber and Faber, nd.
Lewis, C. S. The Efficacy of Prayer. Reprinted from The Atlantic Monthly. Cincinnati: Forward Movement Publications, n.d.
______. Miserable Offenders. Cincinnati: Forward Movement Publications, n.d.
______. On Three Ways of Writing for Children. Reprinted from Horn Book Magazine. Boston: The Horn Book Inc., 1963.
______. Will We Lose God in Outer Space? Reprinted from The Christian Herald. Cincinnati: Forward Movement Publications, n.d.
Lewis, Wyndham (subject). "Portrait" section of Ramparts 2.1 (1963): 70-89.
Lindsay, Vachel. No title (various poems). New York: Caedmon Records, 1926.
London, Jack (subject). Jack London Newsletter 9.3 (1976).
Lowell, Amy. "Patterns." The Unbound Anthology. New York: The Poets' Guild, 1921.
Lowell, Robert (subject). "Notes on Robert Lowell." Renascence 8 (1955): 75-83.
______. Program for The Old Glory at the American Place Theatre, New York, 1965.
______. Poster for The Old Glory at the Theatre De Lys, New York. 1965.
Lowell, Robert (translator). "Poems." By Osip Mandelstam. The Atlantic 211.4 (June 1963): 63-68.
MacDonagh, Donagh. "The Old Man's Wife." Poetry Ireland no. 4 (1949): 22-23.
Macdonald, Dwight. "Masscult and Midcult." Partisan Review 27 (1960): 203-33.
Macdonald, Dwight, et al. "Retorting." Retort 3.4 (1947): 30-39.
Machen, Arthur. Folder of miscellaneous portraits and a letter.
______. "In the 'Eighties: A Reminiscence of the Silurist Put Down by Him, 1930." Amersham: np, 1931. Pamphlet.
______. Out of the Earth and Other Sketches. Little Blue Book series 970. Girard, KS: Haldeman-Julius, nd.
______. "The Secret Glory, I.1." Gypsy 1 (1915): 79-89.
______. "The Secret Glory, I.2." Gypsy 2 (1916): 139-45.
______ (contributor). Giacomo Giralamo Casanova, Chevalier de Seingalt: 1725 1798. Pasadena: Ampersand, 1948.
______. Tales of the Strange and Supernatural. Little Blue Book series 969. Girard, KS: Haldeman-Julius, nd. 3 copies.
______. "'Tottenham Hale.'" Wonderful London 3 (1926): 99-105.
Machen, Arthur (subject). "Arthur Machen as Dr. Johnson," by Dorothy and Adrian Goldstone. San Francisco: Kennedy, 1957. Photograph presentation pamphlet.
______. "Arthur Machen 1863-1947: A Miscellany of Essays on his Personality, his Life and his Work." Llandeilo: St. Albert's, 1960. Advertising pamphlet.
______ (author and subject). The Arthur Machen Society's Occasional no. 2 (1967) and no. 3 (1968).
______. "Arthur Machen: Weaver of Fantasy," by William F. Gekle. Millbrook, NY: nd. Advertising pamphlet.
______. Bookmark.
______. Photographs (28).
______. "The Twyn Barlwm Press 1931-32: A Record of the Venture and a List of Publications, With a Reminiscence of the 'Eighties by Arthur Machen," by John Gawsworth. London: Graves, 1933. Booklet.
MacLeish, Archibald. "Ballet Russe." Performance Program for "Union Pacific." New York: Metropolitan Opera House, 1937. 2 copies.
______. "Defeatists and Divisionists in U.S. Also Our Chief Enemies." Inaugural Dinner of Freedom House, Commodore Hotel. Polygraphic: March 19, 1942. Address transcript booklet.
______. "Dinner To Freda Kirchwey." New York, Hotel Commodore, February 27, 1944. Speech transcript.
______. "Poetry and the Belief in Man." Peters Rushton Seminar in Contemporary Prose and Poetry, May 1951. Lecture transcript.
______. "Poetry and the Belief in Man." Peters Rushton Seminar in Contemporary Prose and Poetry, May 1951. Publicity brochure.
______. "The Western Sky." Free World 1.1 (1941): 6.
MacLeish, Archibald (subject). "Archibald MacLeish Will Read from his Work at Library of Congress Tuesday, December 4." Washington: Library of Congress, November 26, 1956. Press release.
MacLeod, Norman. "Spain." Compass 2.1 (1939): 7-10.
______. "Poems." Inferno Quarterly no. 10 (1954): 11-14.
______. "Poems." The Windsor Quarterly 2 (1935): 272-74.
MacLeod, Norman (subject). Golden Goose: Special Norman MacLeod Issue series 3, no. 4 (1952).
Malamud, Bernard. "The Jewbird." The Reporter 28.8 (11 Apr 1963): 33-36.
______. Dustjackets (3).
Mallarmé, Stephane. "Art for All." The American Bookman 1.2 (1944): 65-68.
Mann, Thomas. "Letter." Little Man 1 (1939): 12.
Maugham, W. Somerset. First installment of Catalina in The Windmill 3.9 (1948): 3-37.
Maugham, W. Somerset. Second installment of Catalina in The Windmill 3.10 (1948): 1-37.
Mauriac, François (subject). "Winner of the Nobel Prize." By Anna Tansey. The Magnificat 92 (1953): 515-17.
McCarthy, Mary. "The Fact in Fiction." Partisan Review 27 (1960): 438-58.
______. Booklet "Introducing The Company She Keeps." New York: Simon and Schuster, n.d.
______. "The Oasis." Horizon 19 (1949): 75-152.
McClure, Michael. "Flea 100." From FLEAS. New York: Frank Hallman, 1975.
______. Author's signed typescript of The Masked Choir.
McCullers, Carson (subject). "Carson McCullers: Variations on a Theme." By Dayton Kohler. College English 13 (1951): 1-8.
______. "Editorial: Miss Carson McCullers." Desiderata 8.19 (13 May 1955): 1-4.
McNabb, Vincent. "A Letter to the Land Movement." The Cross and the Plough 16.1 (1949): 8.
Merton, Thomas. "The Black Revolution." Ramparts (Christmas 1963): 4-23.
______. Bookmark.
______. "The Challenge of Responsibility." Saturday Review (February 13, 1965): 28-30.
______. "Christian Morality and Nuclear War." Way (June 1963): 12-22.
______. "Church and Bishop." Worship 37 (1963): 110-20.
______. "The Contemplative and the Atheist." Schema 13 (Jan. 1970): 11-18.
______. "The Contemplative Life: Its Necessity and Meaning." Dublin Review (Winter 1949): 26-35.
______. "The Flight into Egypt." Spirit 8 (1941): 148.
______. "From 'The Legend of St. Clement.'" Month 1 (1949): 5-6.
______. "Hagia Sophia." Ramparts (March 1963): 65-71.
______. "Letters to a White Liberal—I & II." Blackfriars 44.521 (November 1963): 464-76.
______. "Letters to a White Liberal III." Blackfriars 44 (1963): 503-16.
______. "Like Ilium." Spirit 16 (1949): 135.
______. "A Meditation on Christ's Passion." Spirit 8 (1941): 44-45.
______. "Messias." Spirit 15 (1948): 70.
______. "Notes on Sacred and Profane Art." np, nd. Pamphlet.
______. "The Quickening of St. John the Baptist." Spirit 15 (1948): 48-50.
______. "St. Jerome." Spirit 14 (1948): 159.
______. "A Sampler of Excerpts from the Forthcoming Book The Sign of Jonas." New York: Harcourt Brace, nd. Advertising pamphlet. 12 copies.
______. "The Secular Journal of Thomas Merton." New York: Gotham Book Mart, nd. Advertising pamphlet.
______. "The Sponge Full of Vinegar." Spirit 8 (1941): 80.
______. "Three Poems." Chimera (Winter 1946): 2-4.
______. The Thomas Merton 1979 Appointment Calendar. Edited by Naomi Burton Stone and Bro. Patrick Hart. Kansas City: Sheed, Andrews, and McMeel, 1978.
______. "Thomas Merton: Prayer Cards, Book Marks, and Christmas Cards with Text from the Works of Thomas Merton." nd.
______. "Thomas Merton: The Solitary Life." Lexington, KY: Stamperia del Santuccio, nd. Advertising pamphlet and broadside..
______. "Todo y Nada: Writing and Contemplation." Renascence 2 (1950): 87 101.
______. "Unpublished Manuscripts of Thomas Merton." Chicago: St. Benet, nd. Advertising postcard.
Merton, Thomas (subject). "Abbey of Gethsemani." Gethsemani, Kentucky: Trappist Monks, 1967. Calendar.
______. "Army Private, Turned Objector, Is Former Monk." Press release, July 20, 1967.
______. "Communications," by Margery Mansfield and George A. McCauliff. Spirit 17 (1950): 62-63.
______. "Merton: His Problem and a Solution," by Gervase Toelle, O.Carm. Spirit 16 (1949): 84-89.
______. "Monks of Gethsemani." Gethsemani, Kentucky: Trappist Monks, 1962. Calendar.
______. "Monks of Gethsemani." Gethsemani, Kentucky: Trappist Monks, 1967. Calendar.
______. "The Poet Turned Monk." Spirit 12 (1945): 72-73.
______. "A Prayer of Cassiodorus." Advertising pamphlet. Worcester: Stanbrook Abbey, 1967.
______. Review of A Man in the Divided Sea by Francis X. Connolly. Spirit 13 (1946): 150-53.
______. Review of The Tears of the Blind Lions by Gervase Toelle, O.Carm. Spirit 16 (1950): 195-97.
______. Review of Thirty Poems by Paul Morton. Spirit 12 (1945): 24-26.
______. "Thomas Merton on Renunciation," by Sr. M. Therese Lentfoehr. Catholic World 171 (1950): 420-29.
______. "Thomas Merton's Teacher to Be Ordained." Press release, April 26, 1967.
______. "Two Letters on the Merton Problem," by Sr. M. Therese, S.D.S., and Eric Bruno, O.F.M. Spirit 17 (1950): 20-25.
Miller, Henry. "By Henry Miller." Circle no. 6 (1945): 41-47.
______. "A Night with Jupiter." View 1.11-12 (Feb-Mar 1942): 4.
______. "The Soul of Anaesthesia." The Illiterati no. 4 (1945): 18-29.
______. "Walt Whitman." The Colorado Review 1.2 (1957): 21-23.
Moravia, Alberto. "The Woman from Mexico." Partisan Review 27 (1960): 9-40.
Nin, Anais. "The All-Seeing." Circle 1.4 (1944): 2-9.
______. "Hedja." Circle 1.7-8 (1946): 6-13.
______. Preface to Henry Miller's Tropic of Cancer. New York: E. P. Dutton, n.d.
______. Dustjackets (2).
Norris, Frank. Dustjackets (11).
______ (subject). Dustjackets (2).
O'Casey, Sean. Uncorrected proof copy of Inishfallen, Fare Thee Well. London: Macmillan, 1948.
______. Program for Pictures in the Hallway. New York: The Playhouse, n.d. 3 copies.
______. Program for Purple Dust. New York: The Cherry Lane Theatre, n.d.
______. "Saintly Sinner, Sing for Us." The New Statesman and Nation 40.1032 (16 Dec 1950): 628.
______. Playbill 2.46 (17 Nov 1946), for Shadow of a Gunman. New York: The Bijou Theatre.
O'Casey, Sean (subject). "Guide to the Study of the Screen Version of Sean O'Casey's The Plough and the Stars." Photoplay Studies 2.12 (1936).
______. Dustjackets (26).
O'Connor, Frank. "Verse and Verse-Speakers." Third Programme (London: BBC, 1947?): 18-24.
O'Connor, John. "Easter, MCMVIII." Pamphlet. 2 copies.
______. The Weld Sermon 1913: Preached at St. Benedict's, Hindley. Bath: n.p., n.d. 2 copies.
O'Faolain, Sean. "Public Opinion." Bell 13 (1947): 58. Letter to the editor.
O'Flaherty, Liam. "Grey Seagull." The Strand 114.685 (Jan 1948): 64-77.
______. Program for Mr. Gilhooley, a play by Frank B. Elser, based on the novel by Liam O'Flaherty. New Haven, CT: Shubert Theatre, week of 15 sept 1930.
______. "The Strange Disease." The Bermondsey Book 5.2 (1928): 32-37.
______. Dustjackets (7).
O'Hara, John (subject). "On the Horizon: Gibbsville and New Leeds." Commentary 21 (1956): 269-73.
O'Neill, Eugene (subject). "George Pierce Baker and Eugene O'Neill." Chrysalis 7.9 10 (1954).
______. "The Theatre of Today: Eugene O'Neill." Chrysalis 6.9-10 (1953).
______. Dustjacket (1).
O'Sullivan, Seumas (ed.) Dublin Magazine 14 (1939).
Orwell, George. "Britain's Struggle for Survival." Commentary 6 (1948): 343-49.
______. "Politics as Literature (an examination of Gulliver's Travels)." Polemic ns no. 5 (1946): 5-21.
______. "The Prevention of Literature." Polemic ns no. 2 (1946): 4-14.
______. "Raffles and Miss Blandish." Horizon 10.58 (1944): 132-44.
Orwell, George [Eric Blair]. "The Spike." The Adelphi ns 2.1 (1931): 24-32.
Orwell, George (subject). "George Orwell and Our Time." By. J. E. Miller. Million no. 2 (1945?): 51-57.
______. "George Orwell—Dark Side Out." The Cornhill no. 996 (1953): 450-70.
______. "Reflections on the Death of a Novelist." By Denis Ireland. Envoy 3.8 (1950): 35-40.
______. World Review: George Orwell Issue ns 16 (1950).
______. Dustjackets (14).
Patchen, Kenneth. "Four Poems." Circle 1.1 (1944): 9-11.
______. "Four Poems About What the Handwriting on the Wall Says." Fantasy 6.2 (1939): 23-25.
______. "Fourteen Poems . . ." Experimental Review no. 3 (1941): [4-16].
______. "The Little Black Train." The Golden Goose no. 2 (1948): 24-25.
______. "The Hunter." The Golden Goose no. 3 (1949): 20.
______. "A Section from 'Sleepers Awake on the Precipice'." Retort 3.1 (1945): 9 19.
______. "Some Little Sayings and Observations." Liberation 1.1 (1956): 10.
______. "Two Poems." Contemporary Poetry 8.3 (1948): 10-12.
______. "Two Poems." Liberation 1.? (July 1956): 13.
Picasso, Pablo. "Picasso's Guernica." Critique 1.2 (1946): 3-12.
Poe, Edgar Allan. Rare books catalogs (5).
Porter, Katherine Anne. "Gracious Greatness." Esprit: University of Scranton 8.1 (1964): 50-59.
______. Program for Pale Horse, Pale Rider. New York: Jan Hus Auditorium, 1957.
______. "Reflections on Willa Cather." Mademoiselle (July 1952): 62-65, 102-04.
______. "Sections from Noon Wine." Signatures: Work in Progress 1.1 (1936): [2 16].
Porter, Katherine Anne (subject). "Another Look at Katherine Anne Porter." By James William Johnson. The Virginia Quarterly Review 36 (1960): 598 613.
______. "Katherine Anne Porter." By Daniel Curley. The Kenyon Review 25 (1963): 671-98.
______. "Katherine Anne Porter." By George Greene. Thought 36.142 (1961): 421 40.
______. Katherine Anne Porter. By Ray B. West. University of Minnesota Pamphlets on American Writers, no. 28. Minneapolis: University of Minnesota Press, 1963.
______. "Katherine Anne Porter: Psychology as Art." By Charles A. Allen. Southwest Review 41 (1956): 223-29.
______. "Point of View: Katherine Anne Porter's Noon Wine." The Ohio University Review 3 (1961): 95-113.
______. Dustjackets (12).
Pound, Ezra. "A Communication." 1924: A Magazine of the Arts no. 3 (1924): 97-98.
______. Dustjackets (18).
______. "Editorial." The Little Review 4 (May 1917).
______. "An Immortality." The New Broadside. London: The Poetry Bookshop, n.d. Broadside.
______. "Varia." 1924: A Magazine of the Arts no. 4 (1924): 132-35.
Pound, Ezra (subject). Dustjackets (5).
______. "Ezra Pound at Seventy." New York: New Directions, nd. Advertising booklet.
______. "Ezra Pound: A New Montage." Special issue. Yale Literary Magazine 126 (December 1958).
______. "A Sampler from the New Book The Letters of Ezra Pound." New York: Harcourt Brace, 1950.
Price, James. James Price. The Fantasy Poets, no. 3. Oxon: Oscar Mellor and Roger Smith, 1952.
Priestley, J. B. Excerpts from Margin Released, to be published January 1961. New York: Harper & Row, 1960.
Priestley, J. B. J. B. Priestley: An Exhibition of Manuscripts and Books. Austin: Humanities Research Center, University of Texas at Austin, 1963.
Rainer, Dachine. "The Emperor's Newest Clothes: Existentialism." Retort 4.2 (1948): 24-38.
______. "Poems." Retort 3.2 (1946): 34-40.
______. "Poems." Retort 3.3 (1947): 18-20.
Ransom, John Crowe. "Literature and the Arts in An Age of Criticism." New Republic (31 March 1952): 18-19.
Ransom, John Crowe (subject). John Crowe Ransom. By John L. Stewart. University of Minnesota Pamphlets on American Writers, no. 18. Minneapolis: University of Minnesota Press, 1962.
Raper, Michael. Michael Raper. The Fantasy Poets, no. 14. Oxon: Donald Hall and Oscar Mellor, 1952.
Read, Herbert. "Edouard Pignon." The Arts 1.1 (1946): 4-11.
______. "Everything Real." Now and Then no. 48 (1934): 24-25.
Reage, Pauline. Uncorrected galley proofs for Return to the Chateau. New York: The Plimpton Press, 1971.
Rexroth, Kenneth. "Lyell's Hypothesis Again." Pacific 1.2 (1946): 34-35.
Rich, Adrienne. Adrienne Rich. The Fantasy Poets, no. 12. Oxon: Donald Hall and Oscar Mellor, 1952.
Rilke, Rainer Maria (subject). "Rainer Maria Rilke et les élégies de Duino." By Pierre Klossowsky. Critique no. 5 (1956): 404-18.
Russell, Betrand. "Good and Bad." Polemic no. 6 (1946): 2-8.
Russell, George William. The Dublin Strike. Transcript of a speech delivered in the Royal Albert Hall, London, 1 November 1913. Dublin: Irish Worker Press, 1913. 3 copies, one signed.
______. The Hero in Man. Bombay: The Uniform Printing Press, n.d.
______. The Inner and Outer Ireland. Dublin: The Talbot Press, 1921. Signed copy.
______. "Some Passages from the Early Letters of A.E." Dublin Magazine 15 (1940): 9-15.
Russell, George William (subject). "George William Russell ("AE") and the Colby Collection." Colby Library Quarterly 4 (1955): 21-36. 3 copies.
Russell, Peter. "Exile." Number 5 of 15 copies. Printed on single sheet.
Sandberg, Carl. "A Sampler from the Forthcoming Book Always the Young Strangers. New York: Harcourt, Brace and Company, 1952.
Sandberg, Carl (subject). Journal of the Illinois State Historical Society: Carl Sandberg Issue 45.4 (1952).
______. A Booklet of Reviews of Remembrance Rock. New York: Harcourt, Brace and Company, 1949[?].
Saroyan, William. Advertising pamphlet. Los Angeles: Conference Press, 1940.
______. "The Beautiful People." New York: Playbill for Lyceum Theatre, 1941. Performance program.
______. "The Beautiful People." New York: Windsor Theatre, 1941. Performance program. 2 copies.
______. "The Beautiful People." Tulsa: U of Tulsa Theater, 1950. Performance program.
______. "Come on-a My House." Music by Ross Bagdasarian. New York: Duchess Music, 1951. Sheet music.
______. Dustjackets (43).
______ (introduction). Dustjackets (6).
______. "From 'To Write a Poem.'" Poetry 73 (October 1948): 22-23.
______. "Playwright at Work." Contact 1 (1958): 146-60.
______. "The Proud, the Sad, and Comic Years." Decade 1 (1939): 3-5.
______. "The Proud, the Sad, the Comic Years." Decade 9 (1949): 1-7. 2 copies.
______. "The Son." New York: Circle Theater, 1950. Performance program.
______. "The Time of Your Life." Chicago: Stagebill for Erlanger Theatre, 1940. Performance program. 2 copies.
______. "Two by Saroyan." New York: Showbill for East End Theatre, 1961. Performance program.
Saroyan, William (subject). "Of Men and Books," with John T. Frederick. np, February 15, 1941. Broadcast transcript.
______. "Three Playwrights in Search of Saroyan." np, 1941. Performance program. 3 copies.
Sartre, Jean-Paul. "'Commitment' in Literature." Politics and Letters 1.2-3 (1947): 24-33. 2 copies.
Schwarz, Delmore. "Four Poems." Partisan Review 17 (1950): 64-66.
Seymour-Smith, Martin. Martin Seymour-Smith. The Fantasy Poets, no. 10. Oxon: Donald Hall and Oscar Mellor, 1952.
Shanks, Michael. Michael Shanks. The Fantasy Poets, no. 13. Oxon: Donald Hall and Oscar Mellor, 1952.
Shapiro, Karl. "A Farewell to Criticism." Poetry 71.4 (1948): 196-217.
______. "Library, Asylum, Platform for Uninhibited Leaps." Reprinted from the Wilson Library Bulletin, April 1963.
______. "Recapitulations." Poetry: A Magazine of Verse 49 (1946): 121-33.
Shapiro, Karl (subject). A Bibliography of the Work of Karl Jay Shapiro, 1935-49. By Louise Quesnel and William G. Webster. Baltimore: Enoch Pratt Free Library, 1950. Unpublished.
Shaw, George Bernard. "G. B. S. on Gene Tunney." Now and Then no. 44 (1933): 30 33.
______. Gesammelte Dramatische Werke in zehn Banden. [Booklet with excerpts from Shaw's work.] Zurich: Bezugsbedingungden und Priese, n.d.
______. Poster from On the Rocks. New York: Dalys Theatre, n.d.
Sitwell, Edith. "Comment on Dylan Thomas." Critic 1 (Autumn 1947): 17-18.
______. Dustjackets (33).
______. "Three Songs." Music by William Walton. Oxford: OUP, 1932. Sheet music.
Sitwell, Edith (subject). Dustjackets (7).
______. "Catalogue 15: Poetry." Toronto: Blue Heron Books, nd.
Sitwell, Osbert. Dustjackets (31).
______ (introduction). Dustjackets (7).
Sitwell, Sachervell. Dustjackets (33).
______ (introduction). Dustjackets (6).
______. "The Parrot." London: Poetry Bookshop, nd. Broadside.
Skidmore, Hobert Douglas. Advance reader's edition of Valley of the Sky. Boston: Houghton Mifflin Company, 1944.
Spender, Steven. "By the Lake." New Stories 1 (1934): 52-80.
______. "The Conscript." Poetry Folios 5 (nd): 2.
______. Dustjackets (30).
______ (introduction). Dustjackets (6).
______. "In the 1930's." Britain Today (July 1950): 10-14.
______. "Poem." np, Christmas 1934. Booklet. Signed by Frederic Pokosch.
______. "Der Poet auf dem Lehrstuhl: Bemerkungen zur neuesten amerikanischen Lyrik." Der Monat 3 (1951): 176-187.
Spire, Andre. "Samuel." Adam: An International Review 17.204-05 (Mar-Apr 1950).
Stein, Gertrude (subject). "Checklists of Twentieth-Century Authors." Milwaukee: Casanova Booksellers, 1935.
______. Dustjackets (18).
______ (introduction). Dustjackets (2).
______. "Four Saints in Three Acts." np, 1934. Souvenir program.
______. "Four Saints in Three Acts." New York: Playbill for the Broadway Theatre, 1952. Performance program.
______. Last Will and Testament. Folded broadside. N.p.: Baltimore, 1971.
______. "The Mother of Us All." New York: Columbia Theater Associates, 1947. Performance program.
______. "Things As They Are." Pawlett, VT: Banyan, nd. Advertising pamphlet.
______. "A Valentine for Sherwood." Voices from the Past. Audio recording. New York: Rare Records, n.d.
______. "Yes Is For a Very Young Man." New York: Off Broadway, Inc., 1949. Performance program.
Stein, Gertrude (subject). Dustjackets (6).
Steinbeck, John (subject). "John Steinbeck and the Non-Technological Bus." By tj. What's Doing 1.12 (1947): 22, 43-44.
Stephens, James. "Christmas in Freelands." np, 1925. Booklet.
______. "The Daisies." Oxford: OUP, 1950. Sheet music. 2 copies.
______. Dustjackets (18).
______ (introduction). Dustjacket.
______. "I Heard a Bird at Dawn." Dublin: Cuala Press, nd. Greeting card.
______. "Little Things." np, 1923. Poem on Christmas card.
______. "Stars Do Not Make a Noise." Los Angeles: Deux Magots, 1931. Pamphlet.
Stephens, James (subject). Invitation. np, nd. Pamphlet.
Stevens, Wallace. "The Creations of Sound." Maryland Quarterly no. 2 (1944): 33 34.
Stevens, Wallace (subject). Costume Books with Color Plates ... Collected by William Mitchell Van Winkle... the Late Wallace Stevens ... and Others. New York: Parke-Bernet Galleries, Inc., 1959. Catalog.
______. "Five Grotesque Pieces." Trend 1.3 (1952): 12-13.
______. The Harvard Advocate: Wallace Stevens Number 127.3 (1940).
______. "Has the Mystery Man of Modern Poetry Really Another Self?" View 1.1 (Sept 1940): 1, 6.
______. Voices: Wallace Stevens Issue no. 121 (1945).
Stoddard, Maurice. "Thyrza, and a hitherto unpublished letter by Lord Byron." Bohemia 2.3 (1917): 6-9.
Stolpe, Sven. "Kaj Munks kristendom." Ord och Bild 66 (1957): 331-36.
Suckow, Ruth. The Folk Idea in American Life. Reprinted from Scribner's Magazine, 1930. New York: Charles Scribner's Sons, 1930.
______. "Friends and Fiction." Friends Intelligencer 112 (12 Feb 1955): 90-92.
Synge, John Millington. Dustjackets (8).
______. "In the Shadow of the Glen." Samhain (December 1904): 34-44.
______. "In West Kerry." Shanachie 2 (1907): 61-70.
______. "In West Kerry — The Blasket Islands." Shanachie 2 (1907): 138-50.
______. "The People of the Glens." Shanachie 2 (1907): 39-47.
______. "The Playboy of the Western World." New York: Playbill for the Ambassador Theatre, 1937. Performance program.
______. "Riders to the Sea." Samhain (September 1903): 25-33.
______. "The Well of the Saints." J.A. Keogh, director. np, nd. Prompt book for Irish Repertory Players.
Tanguy, Yves (subject). View: Yves Tanguy Issue ns no. 2 (1942).
Tarkington, Booth. Booth Tarkington on Dogs. Nappanee, IN: James Lamar Weygand, 1945. Booklet.
Tate, Allen. Dustjackets (19).
______. "Homage to St. John Perse." Nine no. 3 (1949-50): 78-80.
______. "A Personal Statement on Fascism." In The Case Against the Saturday Review of Literature (Chicago: Modern Poetry Association, 1949): 19-20.
______. "The Fugitive: A Personal Recollection 20 Years After." Princeton University Library Chronicle 3 (1942): 75-84.
______. "Preface to Libretto." Poetry 76 (1950): 216-18. Also contains seven poems by e.e. cummings.
______. "Sonnets at Christmas." Cummington, Mass.: Cummington Press, 1941. Pamphlet. Nos. 9, 43, 49, 50, 86, and 90 of 100. 6 copies.
______. "Two Conceits." Cummington, Mass.: Cummington Press, 1950. Pamphlet. 2 copies.
Thomas, Dylan. "Adventures in the Skin Trade." Adam 21 (1953): 48-66.
______. Dustjackets (12).
______. "How To Be A Poet I." Circus 1 (April 1950): 7-12.
______. "How To Be A Poet II." Circus 2 (May 1950): 5-8.
______. "How To Be A Poet." Now 1 (nd): 5-11.
______. "The Hunchback in the Park." Oasis 2 (1951): 9-10.
______. "The Old Woman Upstairs." Ellery Queen's Mystery Magazine (August 1962): 35-38.
______. "Poems." Poetry London ‹ New York 1 (March-April 1956): 12.
______. "Two Poems." Contemporary Poetry and Prose (May 1936): 2-3.
Thomas, Dylan (subject). Dustjackets (10).
______. "Dylan Thomas: A Bibliography," by William H. Huff. Evanston: Northwestern University Library, 1953. Photostat.
______. "Dylan Thomas and the Surrealists." By Henry Treece. Seven no. 3 (1938): 27-30.
______ (subject). "O Weep for Adonais!" Adam 21 (1953). Special issue.
Todd, Ruthven. Christmas 1947: for Stephen Spender. N.p.: Bamyan Press, 1947. Booklet.
Traven, B. "Ceremony Slightly Delayed." Saint Mystery Magazine (Oct 1957): 88-104.
Treece, Henry. Dustjackets (44).
Trilling, Lionel. "Art and Neurosis." McGregor Room Seminars in Contemporary Poetry and Prose, University of Virginia, 18 Mar 1949. 2 copies of typescript with one program.
Typography and the Private Press: An Exhibit, 1981. Evanston, IL: Northwestern University Library, 1981.
Undset, Sigrid. Dustjackets (1).
Vittorini, Elio. "In Sicily." New York: New Directions, 1949. Advertising pamphlet.
Vivas, Elisea. "Criticism and the Little Mags." Reprinted from The Western Review 16.1 (1951).
Warner, Sylvia Townsend. This Our Brother. London(?): Lanston Monotype Corporation, n.d. Signed.
Warren, Robert Penn. "All the King's Men." New York: East 74th St. Theatre, nd. Performance program.
______. "From the Introduction by Robert Penn Warren to 'A Long Fourth' and Other Stories." New York: Harcourt Brace, nd. Advertising pamphlet. 5 copies.
______. "The Middle Flight." Poetry 45 (1935): 226-28.
______. "William Faulkner and His South." Peters Rushton Seminar in Contemporary Prose and Poetry. Charlottesville: U of Virginia, 1951. Lecture transcript. 8 copies.
Warren, Robert Penn (subject). "Background of a Novel: World Enough and Time." New York: Random House, nd. Advertising booklet. 8 copies.
Waugh, Evelyn Dustjackets (34).
______ (introduction). Dustjackets (9).
______. "The Loved One, Chapter 1." Horizon 17 (February 1948). Special issue.
______. "Mr. Loveday's Little Outing." Ellery Queen's Mystery Magazine (September 1951): 124-129.
______. "Ronald Firbank." Life and Letters 2 (1929): 191-96. 2 copies.
______. "Scott-King's Modern Europe." Cornhill 971 (1947): 321-64.
______. "Sloth." Catholic Digest (March 1963): 105-109.
______. Woodcuts. The Golden Hind 2.6 (1924): 26, 39, 43.
Waugh, Evelyn (subject). "Brideshead Revisited by Evelyn Waugh." Reprint from Book of the Month Club News, nd. Advertising pamphlet.
______. "Bulletin from Virginia Kirkus' Bookshop Service." np, nd.
______. "Catalogue of an Exhibit: Evelyn Waugh (1903-66)." Notre Dame: University Libraries of Notre Dame, 1982. 3 copies.
______. Dustjackets (9).
______. "Exhibit Selections of the First Editions of Evelyn Waugh." Notre Dame, May 1982. Poster.
______. "June, 1946 Selection." Newsletter of the Catholic Book Club 36 (June 1946).
______. "The Loved One by Evelyn Waugh." Boston: Little Brown, 1948. Advertising post card.
______. Press release. Boston: Little Brown, nd.
Weil, Simone. "Selections from Institutions Pré-chrétiennes." Trans. George Kateb. i.e.: The Cambridge Review 1 (1955): 143-59.
Wells, H. G. The Time Machine. Classics Illustrated no. 133. New York: Gilberton Company, Inc., 1956.
Wells, H. G. (subject). "[Eulogy for] H. G. Wells." N.p: Chiswick Press, 1946.
Welty, Eudora. "Place in Fiction." The South Atlantic Quarterly 40 (1956): 57-72.
Welty, Eudora (subject). "The Mysteries of Eudora Welty." The Georgia Review 15 (1961): 343-57.
West, Paul. Paul West. The Fantasy Poets, no. 7. Oxon: Michael Shanks and Oscar Mellor, 1952.
White, E. B. "Clarence Day." The Playbill for the Empire Theatre (August 1940): 8 10. 2 copies.
Whitman, Walt (subject). Walt Whitman. By Richard Chase. University of Minnesota Pamphlets on American Writers, no. 9. Minneapolis: University of Minnesota Press, 1961.
Wilder, Thornton. "By the Skin of Our Teeth." Tulsa: The Little Theatre, 1948. Performance program. 3 copies.
______. "A Diary: The First and Last Entry." First Person 1.1 (1960): 5-7.
______. Dustjackets (16).
______. "A Festival of American Plays at the Cherry Lane Theater: Thornton Wilder's 'The Long Christmas Dinner,' 'Queens of France,' and 'The Happy Journey to Trenton and Camden.'" New York: Cherry Lane Theater, 1967. Performance program.
______. "Our Town." New York: Circle in the Square, nd. Performance program.
______. "Our Town." New York: Playbill for Morosco Theatre, 1938. Performance program. 3 copies.
______. "Plays for Bleecker Street." New York: Showbill for Circle in the Square, 1961. Performance program.
______. Program for The Skin of Our Teeth. Boston: The Staff Players of M.I.T., 1955.
______. "Two Plays." The Bermondsey Book 6 (1928-9): 8-13.
Wilder, Thornton (subject). Dustjackets (4).
______. "The World of Thornton Wilder." By George Greene. Thought: A Review of Culture and Ideas 37 (1962): 563-84.
Williams, Thomas Lanier ("Tennessee"). Dustjackets (9).
______. "Garden District." New York: Showbill for York Playhouse, 1958. Performance program.
______. Photographs from Convention Hall Theater staging of "A Streetcar Named Desire" (3). np, nd.
______. "The Rose Tattoo." New York: Playbill for the Beck Theatre, 1951. Performance program.
______. "A Streetcar Named Desire." np, nd (1953?). Performance program for the Slavenska-Franklin Ballet.
______. "A Streetcar Named Desire." Chicago: Stagebill for the Harris Theatre, 1948. Performance program. 2 copies.
______. "A Streetcar Named Desire." np, nd. Souvenir program.
Williams, Thomas Lanier ("Tennessee") (subject). Dustjackets (2).
______. "The Glass Menagerie." New York: Dramatists Play Service, 1947. Newsletter.
______. "Questions without Answers." Playgoer (October 1948): 4-5.
Williams, William Carlos. "Advice to the Young Poet." View ns no. 3 (1942): 23.
______. "A Poem for Norman MacLeod." Golden Goose 3 (1952): 159.
______. "Country Rain, a Story." Zero no. 2 (1949): 85-96.
______. "Foreword" to The Autobiography of William Carlos Williams, to be published Sept 1951 by Random House. Typescript.
______. "New Mexico." The Golden Goose 1 (1948): 5.
______. "Period Piece: 1834, a Poem." Cronos 2.4 (1948): 33.
______. "The High Bridge Above the Tagus River at Toledo." The Edge no. 1 (1956): 17.
______. "The Ideal Quarrel." The Little Review 5.8 (1918): 39-40.
______. "The Sleeping Brute." Diogenes 1.1 (1940): 2.
______. "Three Poems." The Poetry Journal (Dec 1916): 45-47.
Williams, William Carlos (subject). Briarcliff Quarterly: William Carlos William Issue 3.11 (1946).
______. Imagi: for William Carlos Williams 6.2 (1953).
______. Perspective: On William Carlos Williams 6.4 (1953).
______. "Presentation to William Carlos Williams of The Gold Medal for Poetry, by Robert Penn Warren." Proceeding of the Academy of Arts and Letters and the National Institute of Arts and Letters ns no. 14 (1964): 324-28.
Wilson, Edmund. "Bernard Shaw." Adelphi 5 (1932): 44-51.
______. Dustjackets (17).
Wilson, Edmund (subject). "The Undertaker's Garland." New York: Knopf, nd. Advertising flyer.
______. "The Undertaker's Garland: One of the Six Decorations by Boris Artzibasheff." New York: Knopf, nd. Advertising flyer.
Winters, Yvor. To the Holy Spirit. San Francisco: Toyon Press for the Book Club of California, 1947.
Wolfe, Thomas (subject). "Thomas Wolfe: a Critical Study." The Windmill 2.7 (1947): 40-48.
Woodcock, George. "Days of Transition." Now 5 (nd): 1-4.
______. "Editorial: Unashamed to Beg." Now 8 (nd): 3.
______. "H. G. Wells: A Study in Decline." Now 9 (nd): 42-51.
______. Review of Louis Adeane's The Night Loves Us. Now 7 (nd): 71.
______. "The Writer and Politics." Now 4 (nd): 1-11.
Yeats, William Butler. "Down by the Sally Gardens." Music by John Vine. Oxford: Oxford U P, 1948, 1950. Sheet music. 2 copies.
______. Dustjackets (9).
______ (introduction). Dustjacket.
______. "Ego Dominus Tuus." Poetry 11 (1917): 29-32.
______. "A Faery Song." Music by Patrick Hadley. Oxford: Oxford U P, 1927. Sheet music.
______. "The Fiddler of Dooney." Music by Robin Milford. Oxford: Oxford U P, 1925. Sheet music.
______. "Five Poems." Poetry 1 (1912): 67-70.
______. "Kathleen ni Houlihan." Samhain (October 1902): 24-31. 2 copies.
______. "The Lake Isle of Innisfree." Music by Henry G. Ley. London: Oxford U P, 1950.
______. "The Lake Isle of Innisfree." New York: Poets Guild, nd. Pamphlet.
______. "The Lake Isle of Innisfree by William Butler Yeats." np, nd. Pamphlet.
______. "The Land of Heart's Desire." Little Blue Book series 335. Girard, KS: Haldeman Julius, nd. Booklet. Two copies.
______. "Leda and the Swan." Tomorrow 1 (1924): 2.
______. A Letter to W.B. Yeats, by L.A.G. Strong. Hogarth Letters 6. London: Hogarth, 1932.
______. "The Literary Movement in Ireland." North American Review 169 (1899): 855-867.
______. "Magic." Monthly Review 4 (1901): 144-62.
______. "Notes." Samhain (October 1902): 3-10. 2 copies.
______. "The Only Jealousy of Emer." Poetry 13 (1919): 175-93.
______. "Poems." London Mercury 39 (1938): 113-16.
______. "Poems." Poetry 4 (1914): 52-60.
______. "Poets and Dreamers." New Liberal Review 5 (1903): 185-88.
______. "A Prayer for My Daughter." Poetry 15 (1919): 59-62.
______. "Red Hanrahan." Independent Review 1 (1903): 478-85. 2 copies.
______. "Red Hanrahan's Vision." McClure's Magazine 24 (1905): 469-71.
______. "S. Patrick and the Pedants." Chap-book 5 (1896): 50-55.
______. "The Shadowy Waters." North American Review 170 (1900): 711-29.
______. "The Speckled Bird." Irish Writing 31 (1955): 9-18.
______. Three Things. Ariel Poems 18. London: Faber and Faber, nd. Booklet. Two copies.
______. Tribute to Thomas Davis. Oxford: Cork University Press, 1947.
______. "The Two Kings." Poetry 3 (1913): 1-10.
______. "What is Popular Poetry?" Cornhill Magazine n.s. 69 (March 1902): 344 49.
______. "Windlestraws." Samhain (October 1901): 3-10.
Yeats, William Butler (subject). A Catalogue of English and American First Editions of William Butler Yeats, by William M. Roth. New Haven: Yale U Library, 1939.
______. Dustjackets (15).
______ (subject). "The Poetry of William Butler Yeats," by Donald A. Stauffer. McGregor Room Seminars in Contemporary Poetry and Prose. Charlottesville: U of Virginia, 1946. Typescript lecture transcript.
______ (subject). "A Study of Yeats' A Vision," by Carl Frederick Benson. Urbana: U of Illinois, 1948. Thesis abstract.
Yeats, W.B., and George Moore. "Diarmud and Grania." Dublin Magazine 36 (1951): 5-41.
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